Resistance and Identity: A Postcolonial Feminist Study of Ismat Chughtai’s Fiction
DOI:
https://doi.org/10.58213/ell.v4i2.56Keywords:
Postcolonial feminism, marginalization, mainstream feminism, colonial oppression, patriarchy, grand narrative, reconstructionAbstract
Postcolonial feminism has streamed out from the mainstream feminism in the latter half of the 20th century. It is a critique too and the reaction against the mainstream feminism. Postcolonial feminism deals with the social, political and economic marginalization of the third world women which has been overlooked and subsided by the European or mainstream Feminism. It disseminates the struggles and resistance of the “doubly marginalized” woman of the colonized nations. The postcolonial female writer believes that the feminist (mainstream) narratives have failed to bring the overall issues of third world women in their discourse. The woman, according to them does not share the common identity globally and there is a deep sense of dissatisfaction among them with patriarchy, colonization, and also with the mainstream feministic narratives. Postcolonial feminism seeks to address colonial oppression and turns down the idea of ‘global sisterhood’ as propagated by Western feminism. Whenever one talks about the feminism or post colonialism, they restrict themselves either to the unfair treatment of patriarchal forces in the western and the oppression of the imperial powers. Further they never paid attention to the ground realities of race, ethnicity, coercion, and intimidation of postcolonial cum patriarchal culture of downtrodden and less educated women of underdeveloped nations. The major concern of this paper is to look into Ismat Chughati’s works in the lens postcolonial feminist. And an attempt to deconstruct the patriarchal culture by looking the socio- political and economic conditions of the women and by reconstructing the lost identity of third world women in her work.
References
“Towards a Feminist Poetics: Elaine Showalter”, Women Writing and Writing about Women, 2012, pp. 22–41., doi:10.4324/9780203120514-8.
Abidi, Azra. “Images of Women in Urdu Novels Written by Muslim Women: An Analysis from A Feminist Perspective, Contribution of Islam and the Status of Muslims,122.
Agrawal, Beena. "The Plays of Rasheed Jahan – A Crusade of the Voice of Muslim Women". Eds. Anju Bala Agrawal and Malti P. Sharma. Voices of Minorities and the Marginalized in Indian English Literature, (2013): 39-49.
Bande, Usha. Writing Resistance: A Comparative Study of the Selected Novels by Women Writers, Shimla: Indian Institute of Advanced Study, 2006.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity, Routledge, 2008.
Chughtai, Ismat, and Tahira Naqvi. The Crooked Line, The Feminist Press at CUNY, 2015.
Chughtai, Ismat. Masooma: A Novel, Trans. Tahira Naqvi, Women Unlimited, 2011.
---. Tehri Lakeer, Delhi: Educational Publishing house, 1948.
Jussawalla, Feroza. “Poems by Feroza Jussawalla: University of New Mexico: Free Download, Borrow, and Streaming.” Internet Archive, 27 Mar. 2009, https://archive.org/details/podcast_unm-live_poems-by-feroza-jussawalla_-1000119966546
Kesharwani, Anjali. “Discrimination and Marginalization of Muslim Women: An Analysis Through Society and Literature”, The International Journal of Culture Literature and Criticism, Issue No. 9, April 2014, 1-11.
Negi, Manjulaa. Ismat Chughtai: A Fearless Voice (Hb), Rupa Publications, 2005.
Paul, Dr. S.K. “Feminism: A General Introduction” Feminism in Indian Writing in English, Ed. Amar Nath Prasad and S.K. Paul, Sarup & Sons, 2016, 1-10.
Rathore, Geetanjali. Portrayal of Gender Issues in the Works of Ismat Chughtai, Qurratul-ain-Hyder and Tehmina Durrani, Diss. Banasthali University, M.Y.